While I’m generally happy with the way the resin self-portrait turned out, I wasn’t terribly happy with the way the first mold turned out. In the “Little Resin People” posts, I’m going to write about the process of making the master figure and mold as if I knew what I was doing the first time.
Part 1 – Clay Dude in a Rubber Suit
I started with a “human analog” that I sculpted from clay. When it was dry, I filed it in several places to make the surfaces smoother (I can’t say that it actually made much difference). The material I chose to make the mold from was paint-on latex rubber. Because the instructions said to seal porous surfaces (like clay) first, I sprayed the figure several times with aerosol resin spray. That’s why he’s a little shiny. After this photo was taken, I used darker gray modeling clay to fill out some of the lumpier portions of the legs. I sprayed over those parts with resin as well.

Next began the laborious process of applying the mold material. This involved several iterations of applying a thin layer of the latex with a paintbrush, waiting for it to dry, then applying again. The entire process took about three weeks. (Patience and I aren’t on a first-name basis, so that part was tough!) I added a modeling clay “collar” around the back, to give a stopping point to the resin when I pour it.

I applied the rubber layers to the back first, then adhered the figure to a board with more modeling clay, and started on the front.

Part 2 – The Mummy
After applying the last layer of latex, I made a mother mold over the whole thing with plaster bandages. During the first casting, I learned the lesson of needing something to keep the rubber mold under control - really thin rubber doesn’t hold itself upright very well once you start pouring a viscous liquid into it.

When the mother mold was dry, I took the three pieces apart- now I am ready to make my army!




TA-DAH!!!!



